Articles
Petersson, M, & Ek, R. (2022). Exploring Sinew0od. ECHO, a journal of music thought and technology 3. https://doi.org/10.47041/QPSR1612
Visi, F., Östersjö, S., Ek, R., & Röijezon, U. (2020). Method Development for Multimodal Data Corpus Analysis of Expressive Instrumental Music Performance. Frontiers in Psychology, 11. https://doi.org/10.3389/fpsyg.2020.576751
In Proceedings
Ek, R. (2024). Playing with resistance. Proceedings of the International Conference on New Interfaces for Musical Expression, 154–159. https://doi.org/10.5281/zenodo.13904814
Harlow, R., Petersson, M., Ek, R., Visi, F., & Östersjö, S. (2021). Global Hyperorgan: a platform for telematic musicking and research. NIME 2021. https://doi.org/10.21428/92fbeb44.d4146b2d
Ek, R., Östersjö, S., Visi, F., & Petersson, M. (2021). The TCP/Indeterminate Place Quartet: a Global Hyperorgan Scenario. NIME 2021. https://doi.org/10.21428/92fbeb44.7714e834
Normark, C. J., Parnes, P., Ek, R., & Andersson, H. (2016). The extended clarinet.NIME 2016 Proceedings of the International Conference on New Interfaces for Musical Expression, 16, 162–167. http://www.nime.org/proceedings/2016/nime2016_paper0034.pdf